Faculty of Fine Arts
Department of Music
Electronica, DJ's and Dancefloor Culture
FA/MUSI 1590 6.0


YORK UNIVERSITY
JOURNALS    

The journal is a very important component of your final grade. In order to excel in this course you must earn a top grade in this assignment. The best way to get a good mark in the journal is to do a good job. This sounds like a cliche but it is true. There are few short cuts to a good mark in the journal. Work hard at it and you will be rewarded. The people who do the best in the journal demonstrate that they put a lot of work into it. You really have to show that you didn't start the jounal 2 weeks before it was due. Believe me after 150 entries, it will be obvious to a 10 year old if you burned through the Journal in 5-10 days.

JOURNAL NOTES


  • ABSOLUTELY NO 3-RING BINDERS or BULKY PACKAGES

We will received a lot of journals and 3-ring binders make the lot difficult to transport and therefore we are banning them. Also, we are asking that you do not submit journals in bulky oversized packaging. Keep your submission in business-like form. If yoour bulky journal manages to reach the marker's desk it will automatically receive a deduction of 10%.

  • YOU NEED A TABLE OF CONTENTS & SONGS & PAGES MUST BE NUMBERED

Your journal MUST have a proper Table of Contents. The Songs MUST be numbered. The Pages MUST be numbered. If you still submit a journal without these attributes you will receive the appropriate mark.

  • START EARLY

A journal reads very badly when it is written over a 5-10 day period. The entries are repetitive and banal. The marks tend to be low as a result. The best advice I can give is to start early to give yourself time to be creative and deliver a solid paper. Many of you reading this will plan to postpone everything until 2 weeks before the due date. In this case, please make an exception and get started early. Your marks will be better. You have 5 months to write this paper, use all of that time.

  • REQUIREMENTS

You must fulfill the minimum requirements of 150 songs. This means you cannot submit a journal with 149 songs. The marks plummet dramatically for journals that do not meet the minimum requirements set out in the syllabus. Ditto for the minimum 30 page requirement. Also make sure your journal contains content which applies to our Electronic music genre. Electronic instruments must be prominent. Also stay away from song on the songs we plan to play in class [they are listed in the song book].

  • WRITE UP

This is the most important component of the journal. Make sure your write-ups are personal and interesting. To avoid repetitive banality make entries over a long period and don't be afraid to get personal. Keep facts and figures [i.e. anything that is public knowledge] out of the write up portion. We don't need to read that the singer was born in London and moved to New York in 1956. This is not going to be rewarded.

  • WRITE UP: DO NOT DESCRIBE SOUNDS, INSTRUMENTS, LYRICS OR RANDOM FACTS.

In the written portion of your journal please do not write about what instruments you are hearing. We already know that this song has an electronic Bass and an 80's sound so you get no marks for repeating such banal and gratuitous information. Do not tell us about how prominent this New Wave style was or about how the singer used to go to the Ritz. These are facts and will be dealt with harshly if found in your write up.

Here are examples of what we definitely do not want:

  • "This song is very catchy and has a great beat."
  • "This is one of my favourite songs."
  • "This song has a slot but constant beat."
  • "I would classify this song as slow"
  • "The singer's voice is very soft."
  • "The song starts out with a great beat."
  • "The song gets louder in the middle."
  • "This song has a very Disco type feel."
  • "This song start out fast then it builds up when the chorus hits."
  • "This song went to number one on the Billboard Hot 100 chart."
  • "The saxophone has always been a powerful instrument."
  • "The clap and hi-hat pattern sound very appealing."
  • "I hear many electric guitar sounds."
  • SONG DATA

Include factual information about the songs but this does not belong in the write up. My suggestion is to tabulate this data in some appealing way. Your write up should contain personal information and reactions to the music. Anything that can be found on the internet does not belong in your write up portion.

  • PRESENTATION

Put some effort into presenting your journal as a serious document. A Journal make up of hand written sheet ripped from an exercise book held together with a staple doesn't impress upon the markers that you took this assignment seriously and it certainly looks very bad when put beside a well presented journal from a fellow student.

  • LATE SUBMISSIONS = ZERO

Every late journal will receive a 100% deduction in marks. Illness and doctor's notes do not apply to the journal. With 4 months to do this assignment there can be ABSOLUTELY NO EXCUSE for a late journal. If you feel a flu coming on a week before the due date contact FedEx, UPS or a Courier service to deliver your journal to the Music Office.

Once again, there is ZERO TOLERANCE for any late journal. No excuse will be accepted. Just to make sure this is clear I will repeat: NO EXCUSE WILL BE ACCEPTED FOR LATE SUBMISSIONS.

  • PLAGIARISM

Everyone has the internet these days. The markers have heard of Google. They have used Google. Any suspicious entry will be checked. If there is a match, the entire journal may be rejected and given a mark of zero. If you are trying to be clever and copy and past the same journal entry to multiple places in your journal you will receive ZERO for the assignment for your dishonesty.

  • VARIETY

The more variety your journal has the better the mark will be. Include early forms of Electronic music from the pre 1980s to demonstrate that you have worked hard at listening to the repertoire. We expect to see music from the 1950s, 1960s, 1970s along with the bulk of your material from the 1980s. You should set a goal of including no more than 2 songs from an artist. Multiple songs from a single artist (even if they are your favorite) is not desired.


ARTISTS FOR YOUR JOURNAL

At least 90% of your Journals should contian songs by these artists released on or before Dec 31, 1990.

ARTISTS ARTISTS ARTISTS ARTISTS
A Flock of Seagulls Flash and the Pan Mitsou Strange Advance
ABC Forrest Model 500 Suzi Lane
Adam & the Ants Frankie Goes To Hollywood Modern English TAAPS
Afrika Bambaataa Freeez Modern Romance Taffy
After the Fire Fun Boy Three Mort Garson Talk Talk
Agents Aren't Aeroplanes Gary Numan Mr Velcro Fastener Talking Heads
a-ha Gino Soccio Mr. Magic Tangerine Dream
Alison Moyet Go West My Mine Taylor Dane
Alphaville Grandmaster Flash Naked Eyes Tears for Fears
Altered Images Haircut 100 Nancy Martinez (Jade) Terry Riley
American Fade Hashim Nash the Slash The B-52's
Animotion Hazell Dean Nena The Boomtown Rats
Anne Clark Heaven 17 Nenah Cherry The Buggles
Anthony Rother Henk Badings New Order The Call
Aqua Holly and the Italians Newcleus The Cars
Arabian Prince HooDoo Gurus Nick Straker Band The Church
Arcadia Hot Butter Nik Kershaw The Communards
Arthur Baker Howard Jones Nina Hagen The Cure
Aux 88 Human League Oingo Boingo The Dream Academy
Azul y Negro Ian Dury OMD The English Beat
Bananarama Icehouse Otto Luening The Fixx
Bauhaus I-F Our Daughters Wedding The Flirts
Berlin Imatran Voima Parachute Club The Gap Band
Big Country In Deep Patrick Cowley The Go-Go's
Billy Idol Information Society Patrick Hernandez The Jam
Blancmange Jackal & Hyde Paul Hardcastle The Members
Blondie Japan Payola$ The Modern Lovers
Bobby Orlando Jean Jacques Perrey Perrey & Kingsley The Monks
Boomtown Rats Jock Hattle Pet Shop Boys The Motels
Bow Wow Wow Joe Jackson Pete Shelley The Pretenders
Bronski Beat John Cage Peter Godwin The Psychedelic Furs
Cabaret Voltaire Jonzun Crew Peter Schilling The Romantics
Camouflage Josie Cotton Phyllis Nelson The Smiths
Candi Joy Division Planet P Project The Spoons
Carol Jiani Kajagoogoo Planet Patrol The Tubes
Cerrone Karen Silver Pretty Poison The Vapors
China Crisis Katrina & the Waves Psychedelic Furs Thomas Dolby
Chromeo Kelly Marie Public Image Limited Thompson Twins
Claudia Barry Kid Baltan Q-Feel Throbbing Gristle
Cock Robin Kid Frost R.E.M 'Til Tuesday
Company B Kim Wilde Rational Youth Tod Dockstader
Culture Beat Klein & MBO Raymond Scott Tom Dissevelt
Cybotron Kraftwerk Real Life Tom Tom Club
Cylob L.A. Style Red Flag Toni Basil
D Train LA Dream Team Red Rockers Trans-X
David Tudor Laura Branigan Robert Hazard Tubeway Army
Davy DMX Level 42 Roger Troutman Tuxedomoon
Dazz Band Lian Ross Romeo Void Tyrone Brunson
Dead or Alive Lime Roni Griffith Ultravox
Depeche Mode Lisa Rough Trade Vanelle
Devo Lisa Dalbello Roxy Music Vangelis
Dexy's Midnight Runners Love, Inc Ryuichi Sakamoto Violent Femmes
Divine Loverde Scape One Visage
Divinyls Madleen Kane Scritti Politti Vladimir Ussachevsky
DMX Krew Madness Shannon Volsoc
Dopplereffekt Maggotron Sharon Redd Wall of Voodoo
Drexciya Man Parrish Shriekback Wang Chung
Duran Duran Man To Man Silver Apples Warp 9
Dynamix II Mantronix Simple Minds When In Rome
Echo & the Bunnymen Marsha Raven Soft Cell World Class Wreckin' Cru
Eddy Grant Martha and the Muffins Soif de la Vie XTC
Egyptian Lover Men Without Hats SOS Band Yaz
Erasure Michael Jonzun Spandau Ballet Yello
Eria Fachin Midnight Oil Sparks Yellow Magic Orchestra
Eurythmics Midnight Star Split Enz Yes
Evelyn Thomas Ministry Squeeze
Falco Missing Persons Stacey Q

 
©Copyright 2015, Ray Williams. All Rights Reserved